Available for extended license use Sizes apply to subscriptions and creditsYour next party will be ready to go with this new Party Icon Vector Pack. The pack included 37 icons in PSD, SVG, EPS, AI and PNG formats. PSD, AI, SVG, EPS, PNG See more similar file Mono - 20 Vector Simple Icons Weather Icons and Symbols New York Buildings Icons Set What do you think?If you are not sure which license to choose, please take a look at comparison table below. PRO version is positively the best choice and offers the best price/performance ratio. If raster images are enough for your, go for ALL version or simply try only basic set in FREE version at no cost. All sets in raster files* All sets in vector files All sets as a web font All sets in live HTML/CSS Future updates for free *PSD files contain non-vector data! **Please see for more details in PRO and ALL license below. , you agree to be bound by the terms of this agreement and licence terms.

The price is final and for a PRO version also includes all future updates of GLYPHICONS, which means that no additional purchase is required. The icons may be used for both commercial and personal purposes such as mobile applications, web sites, web applications as well as for printing, info-graphics, etc. and of course PRO and ALL users do not have to indicate the name of the author. You do not need an extra license for every new project and this license is nonexclusive, non-sublicensable. The license is non transferable and it is tied always only directly with one buyer (his email address). Buyer can be either a person (natural person) or a whole company (legal person). If you buy license as a company, you can lend icons to your official (contracted) employees during the time they work in your company, but you are responsible for their use. In other words you have to supervise that their use is not in any conflict with this license and that your employee is not leaking source files to the third party.

You are responsible for any damages caused by your employees. Keep in mind, please, that it is not allowed to resell the icons as such because the icons are the property of the author. Reselling of the icons is prohibited and could be find illegal. Please, be aware that in case you would use icons as an icon font or all icons in vector format in your work for client/customer, you should include this license as a part of your product. It is strictly prohibited to bundle icons in any HTML themes, design frameworks, tools and offering them as a value inside your own product.recliner chairs uk sale All icons are provided "as they are" without a warranty of any kind, either expressed or implied. baby bouncer chair canadaI am not liable for any damages or loss of profits (earnings) caused of any defects in this icon set. bean bag chairs for the pool

All logos and trademarks in social icons are the property of the respective trademark owners.® As I mentioned above, PRO and ALL users do not have to indicate the name of the author, but it always makes me happy when I see even a nice Tweet about @GLYPHICONS :) are released under the Creative Commons Attribution 3.0 Unported (CC BY 3.0). on every page using icons. for free and it is released under the same license as Bootstrap. While you are not required to include attribution on your Bootstrap-based projects, I would certainly appreciate any form of support, even a nice Tweet is enough. patio lounge chair with canopyCute wedding icon with doodle and vintage looks. herman miller chair return policyEach icon have soft color and beautiful chic style.swivel chair for bedroom

PNG 512x512 for each icon 15 Vintage Wedding Vector Icon Cute wedding icon with doodle and vintage looks. How do I contact support? If you need help with a product contact the shop owner here on the product page! Just click the Message icon on the upper right. For anything else visit our FAQHow do accessible cities thrive? And how would you “edit” an existing city to make it more inclusive? Brian Glenney and I were asking this question when we started altering public signs marking wheelchair-accessible parking—the blue and white icons designating the so-called “handicapped” spots.bronx chair rental bronx ny On my web site, Abler, I’d started collecting icons with more design integrity back in 2010. red chair beer alcohol contentThey were rare, but they were present—in high design places like museums, and at ordinary businesses, like my local Marshalls in Cambridge, Massachusetts.cheap reclining accent chairs

The original International Symbol of Access, designed in the 1960s by Susanne Koefoed. Its provisions are historic and profound. But its rectilinear geometry doesn’t show the organic body moving through space, like the rest of the standard isotype icons you see in public space. The sliding doors at Marshalls have a wheelchair-riding icon that shows the figure moving through space, with motion lines to show its movement. The difference between two icons like these was so striking to me that I couldn’t believe the second one (and others that are closely similar) wasn’t used more commonly. Brian and I had been collaborating on other projects at the same time, so he suggested that we do something to alter the existing signs. His own background in graffiti immediately brought to mind spray paint options, but we decided it would be better to mess around with decals or stickers. It started with experiments like this: We tried things like this: placing sticky vinyl figures and heads on top of the chair signs as an early prototype.

It ended up, in 2011, with a clear-backed square sticker - this one, that would be transposed right on top of the original, to show the old image and the new one simultaneously: This image feels like the heart of the project: a clear-backed sticker that shows the newer figure—here in red and orange, leaning forward, “italicized,” while the original image shows underneath. Applying these stickers around Boston started as a street art campaign—nothing more or less. We knew that editing the old signs as graffiti would pose questions more provocatively than a “better” icon, rendered professionally. And we knew that better icons already existed. Instead, we wanted this icon-action to be the occasion for asking questions about disability and the built environment, in the largest sense. Who has access—physically, yes, but moreover, to education, to meaningful citizenship, to political rights? Framing this work as a street art campaign allowed it to live as a question, rather than a resolved proposition.

At least at the outset. Since 2011, we’ve gotten some press coverage for the work, and that coverage has brought us into conversation with people all over the world who are advocating for disability rights in many forms, in quite different contexts from the city of Boston. Making those connections has outpaced our expectations for this work by a hundredfold. Those newfound collaborators have also told us that they wanted a new formal icon to replace the old ones, not just a street art design. So the project grew from guerilla activism to a social design project: The Accessible Icon Project. We partnered with Tim Ferguson Sauder, a professional graphic designer, to bring our icon in line with professional standards. We worked with our extended team, including self-advocates with disabilities and allies, to iterate through various possibilities, shown strewn over a table on paper here, for the final icon. Our final icon in white on blue, to keep to the standard color scheme of the original.

Now there’s just one wheel, but with two cutouts to emphasize its motion and make it easy to stencil. You can see here the ISO DOT 50 standard icons you’d find all over the built environment: for elevators, restrooms, and more. Figures and limbs have rounded, organic ends, mimicking the look of human bodies. We think the new icon adheres to the logic of these standard icons in a complementary, legible way—an “edit” of the important original. And we put it in the public domain, so we’ve never made any money on it. It’s an image that’s free for appropriation. At the same time, we were approached by Triangle, Inc, in our own town of Boston, with an idea. Why not partner to create some events, where changing over the signs, if they were old and needed updating anyway? We loved this idea, and we’ve loved watching EPIC, Triangle’s community service organization that’s staffed by young adults with disabilities, lead the way in this effort. The events really aren’t about the graphics.

They’re about disability in public space: editing the cities that we have, and signaling collective action for a more inclusive future. People all over the US and the world have used the icon for events like this one—bringing together groups to repaint or replace signs—if they’re already needed anyway—and, more importantly, speak about disability politics in local and global contexts. Events often look like this one, where self-advocates with disabilities are able to speak for themselves to able-bodied counterparts, advocating for the features of an inclusive world that are important to them. The physical act of painting over faded parking lot stencils makes the project an event-based one, not just a graphic. Since the start of the work in 2010, we’ve started seeing our icon in hundreds of different iterations and contexts—some edited versions, and some replaced wholesale with the new one. The project doesn’t belong to us now. It’s way beyond what we originally authored, and we’re glad.

Most importantly for us, we’ve seen the icon become a kind of megaphone for our partners and friends who are self-advocates with disabilities: not just wheelchair users, but people who see this image as a metaphor, as a symbol of their own wishes for agency and dimensional action in the world. Most gratifying to us is how the project belongs to others, like our self-advocate partner Brendon Hildreth, shown here speaking at an event with a slide of the icon behind him. The icon is genuinely global now: in hundreds of cities and towns, at private and public organizations, used by governments and by individual citizens. We never, not in a million years, would have anticipated its growth when we first started. A sign at a hospital in Delhi, India, was sent to us early in the project by a doctor and self-advocate named Satendra Singh. Disability advocacy means very different things in different locales; we’re glad the icon is one way that like-minded activists can find one another.