Eames Lounge Chair and Ottoman Click on image to zoom Designers: Charles and Ray Eames The lounge chair and ottoman have their origin in Charles and Ray’s investigations into molding plywood and a desire to improve upon a familiar fixture in many living rooms: the lounge chair. Citing the English club chair as inspiration, Charles said he sought to design a modern version of that chair, one that had “the warm receptive look of a well-used first baseman's mitt.” Almost immediately, the design became an icon of American design. Today, these pieces not only live in museums, but continue to offer comfort and style to interiors around the world. A universally recognized form, the set is available in a variety of veneers, multiple leather options, and two sizes. Whatever selection you make, you can be assured of the quality and authenticity of this design. Configure Your Eames Lounge Chair and Ottoman May 4 – 16 Add to Wish List Own a True Icon of Modern Design

When the set was introduced in 1956, there was nothing like it, and there is still nothing to equal it. The Eameses' modern take on a 19th century club chair has not only endured for more than 50 years, it has become one of the most significant furniture designs of the 20th century—instantly recognizable and enduringly fresh. Like all classics, the chair and ottoman get better with age, in part because of how they are made. From the innovative hardware that fastens the cushions to the shells without marring the appearance of the wood to the fact that each piece continues to be assembled by hand, the combination of craft and manufacturing consistency results in pieces that are genuinely authentic. "A special refuge from the strains of modern living." The Eames Lounge Chair and Ottoman has become so recognizable that its configuration is now a registered trademark. That form and the materials used to create it are an integral part of the experience the set delivers. Today, the chair and ottoman are available in a variety of veneers, multiple leather options, and two sizes.

The same high level of quality and workmanship is guaranteed, regardless of the selection you make. Choose contract-grade or our MCL Leather, which possesses a striking balance among softness, durability, and color-fastness. MCL Leather is a premium, semi-aniline, dyed leather with 100 percent natural full grain. Color variations and surface marks are an inherent characteristic of this material, which will acquire wrinkles and creases and develop a rich patina over time. An oiled finish is available for walnut and santos palisander veneers. It closely matches the look and feel of the finish used on the original rosewood chair, and will need to be maintained with periodic hand oiling. You can also choose the standard, high-performance lacquered plywood shell in wood veneer. The lacquered finish requires nothing more than dusting. Luxurious Comfort and Support The comfort and support built into the Eames Lounge Chair and Ottoman help explain their enduring popularity.

A dynamic blend of hand-craftsmanship and mass production techniques makes this possible. The cushions will not flatten or clump over time. As Charles Eames described them, "The leather cushions do have built-in wrinkles to start with, but that is a clue that spells comfort to come, like the warm, receptive look of a well-used first baseman's mitt." wrought iron chairs pinterestEach hide used for the cushions possesses variations that are a natural occurrence in leather, and each will age to reveal its own unique personality.americana chairs to buy The seat is permanently tilted to take the weight off your lower spine and distribute it properly to the back of the chair. dining room chair leg extensions

The lower cushion piece supports your lower back, so you feel relaxed. The angle supports your chest so that you can be comfortable as you read, watch a movie, or have a conversation. A Place of Rest The ottoman also provides a health benefit. Most of us sit or stand all day, so blood collects in the lower extremities. plastic lawn chair repairResting your feet on the ottoman helps restore normal blood circulation.desk chairs for hip pain Like all classics, the chair and ottoman get better with age. exercise ball chair south africaBoth are hand-assembled with great attention paid to the details. wicker chairs for deckShells are 7-ply veneers. where can i buy a hanging bubble chair

Cushions are individually upholstered and replaceable. The back braces and bases—of both the chair and ottoman—are die-cast aluminum. The chair base has a built-in swivel mechanism. Shock mounts are resilient natural rubber. Stainless steel glides are adjustable. Eero Saarinen designed the groundbreaking Womb Chair at Florence Knoll's request for "a chair that was like a basket full of pillows - something she could really curl up in." cheap dining chairs sunshine coastThis mid-century classic supports countless positions and offers a comforting oasis of calm—hence the name.Scroll to details for information. Retail price of current configuration: Estimated Delivery: 2-3 weeks Shipping & Delivery Info After winning the Museum of Modern Art Organic Design Competition with Charles Eames for their experiments with bent plywood in 1941, Eero Saarinen was eager to continue exploring the possibilities of a chair that achieved comfort through the shape of its shell, not the depth of its cushioning.

Initially, he began the investigation with designs for smaller fiberglass task chairs, but changed direction when Florence Knoll approached him and asked, “Why not take the bull by the horns and do the big one first? I want a chair that is like a basket full of pillows…something I can curl up in.” While that’s not exactly where Saarinen ended up, the suggestion inspired one of the most iconic, and comfortable, chairs of the modern furniture movement. Like many of Saarinen’s furniture designs, the Womb Chair required production techniques and materials still in the infancy of their existence. Saarinen and Florence Knoll found a boat builder in New Jersey who was experimenting with fiberglass and resin to help develop manufacturing methods for the new chair. Florence Knoll: “He was very skeptical. We just begged him. I guess we were so young and so enthusiastic he finally gave in and worked with us. We had lots of problems and failures until they finally got a chair that would work.”

Born to world famous architect and Cranbrook Academy of Art Director Eliel Saarinen and textile artist Loja Saarinen, Eero Saarinen was surrounded by design his whole life. By the time he was in his teens, Eero was helping his father design furniture and fixtures for the Cranbrook campus. After studying sculpture in Paris and architecture at Yale, Saarinen returned to Cranbrook in 1934. It was at Cranbrook that Saarinen met Charles Eames. The two young men, both committed to exploring new materials and processes, quickly became great friends and creative collaborators. They worked together on several projects, most notably their groundbreaking collection of molded plywood chairs for 1940 competition Organic Design in Home Furnishings, sponsored by MoMA. At Cranbrook, Saarinen also met Florence Knoll, who at that time was a promising young protégé of Eliel Saarinen. When Florence joined Knoll in the 1940s, she invited Eero to design for the company. Saarinen went on to design many of Knoll's most recognizable pieces, including the Tulip chairs and tables, the Womb chair, and the 70 Series of seating.