Since its launch in 1956 the Lounge Chair has since been in continuous production. It won the first prize at the Milan Triennial of 1957 and it was accepted to the design collection of the Museum of Modern Art in 1960. We used to own a newer Eames lounge chair a few years back, but that one was sold some time ago and replaced by two vintage ones. to the restoration of the two disassembled Lounge Chairs in the Man Cave, Pekka has intensively been searching information about the history of this chair. Despite it is well known, t he detailed history and evolution of the chairs is not, however, as widely recognized. Eames Lounge Chair (Herman Miller late 1960's model) So, let’s get started. Chair, officially titled as Eames Lounge (670) and Ottoman (671), first appeared on the Arlene Francis “Home” show broadcast on the NBC television network in US in 1956. The chair is a design of Charles and Ray Eames (husband and wife, not two brothers) for the Herman Miller furniture company, and it was released after several

In the early days of the Lounge Chair, Ray Eames remarked in a letter to Charles that it looked "comfortable and un-designy". Charles's original concept had indeed been a chair with "the warm, receptive look of a well-used first baseman's mitt." p Subsequently, the sales rose to 1300 items per year in the beginning of 1960 and to 3500 per year by the end of the decade, ultimately hitting a hundred thousand items by 2004 et al.). Herman Miller base on the left, Vitra base on the right First generation Lounge chair, armrest with tree screws Surprise in our first generation cushion filling - layer of foam added afterwards! Cushion clip - pre October 1971 Cushion clip - post October 1971 First & second generation label First generation push-on rubber boot (before 1957) Screw-in glides, "Dome of Silence" (after 1957) For the Eames Lounge Chair part II please go here.In the latest of our new series, we look at some of the most popular and lasting icons of modern design.

This week: the Eames chair. It is said that behind every great man is a great woman, but in this case, a man and a woman worked side by side to produce some of the most influential designs of the 20th century. It was autumn 1940 when Charles Eames, who had just been appointed head of industrial design at the celebrated Cranbrook Academy of Art, met a student called Ray Kaiser. No sooner had Kaiser started a course in weaving than wily Charles enlisted her help with his entry for the Organic Design in Home Furnishings Competition, at New York's Museum of Modern Art. Prizes were won, romance blossomed and this creative partnership was sealed when they married in Chicago just one year later. Lured by the opportunities offered by Hollywood, they immediately moved to California where Charles worked as a set designer for MGM. It was then that the couple began to develop their prize-winning work, principally by moulding plywood into complex curves. Experiments took place in their apartment and were carried out using a machine they themselves created and called the "Kazam!" - a press that moulded plywood over two geometric planes.

Very soon, the United States Navy realised that these experiments with plywood could serve the Navy well. Designs for leg and arm splints were commissioned and the couple established the Plyformed Wood Company to facilitate production. The couple were also much admired for their architecture (particularly their two Case Study houses in California's Pacific Palisades, one of which they made their home), their exhibition designs and, as a consequence of these projects, their film-making.best affordable rocking chairs Charles Eames claimed his goal for what became known as the No670 lounger was the "warm, receptive look of a well-used first baseman's mitt", an enfolding refuge from life's strains and stresses. folding chairs for trade showsIt is a testament to the Eames' talent that such a dedicated exercise in comfort does not come at a cost to elegance. childrens table and chair set dubai

Deep cushioning, upholstered in leather that improves with age, is encased in seamless, veneered shells. The lounger was designed in Hollywood, but made in Zeeland, Michigan, the home of the furniture manufacturer Herman Miller. The Eames were undoubtedly brilliant designers, but like so many others, they were not so great at business. Before long, their Plyformed Wood Company had financial difficulties and was bought by the Evans Products Company. The revolutionary Eames designs continued to be manufactured by Evans but were marketed by Herman Miller, who took over manufacturing in 1949. patio chair cushions thickIn 1956, Herman Miller put the No670 lounger and No671 ottoman into production.nursery glider chair black The first lounge chair and ottoman was designed as a birthday gift for Billy Wilder, the film director who was one of the Eames' many Hollywood friends.wheelchair to buy in sydney

In these two pieces, we see the culmination of Charles and Ray Eames' efforts to create comfortable and handsome seating using the best of technology and craftsmanship, an achievement endorsed by the Museum of Modern Art, where No 670 and No 671 are part of the permanent collection. Readers can buy this Eames lounge chair and ottoman inspired by the Eames original at an incredible saving on designer shop prices from the Telegraph Shop. The chair, in rosewood veneer and black leather, is 80cm wide x 83cm deep x 85cm high and costs £1,099 (designer shop price £2,925). The ottoman is 53cm x 66cm x 43cm and costs £399 (designer shop price £1,022). Buy both for £1,299 and save £199. To order, call 0845 166 4272 or write to Telegraph Design Classics Offer T24, PO Box 501, Leicester, LE94 OAA enclosing a cheque payable to T24 Telegraph Classics Offer, or your Visa/Mastercard/Maestro/Switch number and expiry date, plus delivery address and a phone number. Delivery will be within 8 weeks.