DE PAS, D’URBINO, & LOMAZZI “JOE” BASEBALL GLOVE CHAIR “Joe” baseball glove chair by De Pas, D’Urbino, and Lomazzi for Poltronova Italy, 1972. The chair is named after baseball legend Joe DiMaggio Excellent, Normal wear from age and useCharles Eames, referring to the designing of his 1957 lounge chair once said he wanted to design a chair that would welcome the body, like a well-used baseball glove. The Batting Joe chair is the result of taking Eames literally, and the result is a chair wide enough to welcome two bodies. A magnificent pop object, it is a comfortable, if somewhat low, love seat for Cooperstown Baseball Glove Chair and Ottoman Be the first to review this productA Bar Room Baseball Glove Chair Or as Bob Uecker might say, its “just a bit outside” .. the mainstream that is. With your sports themed bar room outfitted with this swivel lounger you may never say “take me out to the ball game” again. Honey, lets just bring home the peanuts and Cracker Jack instead.

However, this creative masterpiece was brought to our attention by a pair of interior designers with a sense of humor who tackle ‘fugly’ design and home decor on a daily basis. Their description of this baseball glove chair as ‘fugly’ ( most likely a portmanteau word combination of a colorful adjective starting with the letter ‘ f ’ and ‘ugly’ ) may very well sum up the female perspective. Of course, a man’s home is his castle after all. The married translation usually means only being able to do anything you want with the basement and the garage. If you decide to sport this style furniture in your home bar design don’t be surprised to be spending time drinking baseball themed cocktails alone or with just the guys in your man cave, literally. So, do you want that sports theme “in your face”, like a baseball coach kicking dirt at the umpire, or more low key in a way that highlights a handcrafted pub you can both enjoy? (Rawlings Gold Glove baseball chair via now defunct moggit, 2010/08, take me out to ball game)

Sign Up For Free Updates Delivered To Your InboxThe page you are looking for cannot be found. We apologize for any inconvenience. Please check the link again or use the site navigation or search function above to locate the item for which you were looking.Trailblazer Glove Swivel Chair Trailblazer Glove Swivel Chair Sports fans will get a kick out of this cozy chair, designed to fit like a glove. buy riser chairThe wide back and cushioned seat provide all-around comfort, while the swivel action and rolling casters keep you moving right along.power chair lifts for vans 27" wide x 26" deep x 31–34.25" highdining table chairs overstock Brushed-steel base is topped with a soft, stylish seat.queen anne dining room chairs for sale

Padded cushion is sewn of our saddle-style faux leather and secures to chair using ties. Cushion is removable and can be dry-cleaned. Create the setup you need to succeed with our . Overall: 27" wide x 26" deep; adjusts from 31–34.25" high Seat Area: 17.5" wide x 15.5" deep Seat Height Above Floor: 18–21.25" Dust base with soft, dry cloth.round wicker chair cushions Spot clean cushioned seat with a clean, damp cloth, or dry-clean.buy a wheelchair ramp You May Also Like This Baseball glove is a great addition to our baseball kit or on its own. This baseball glove fits most hands and will get you started on your baseball career. If you need an extra glove for a couple of days this baseball glove rental is the perfect solution. This glove is also commenly rented with our baseball kit as a addon so that more people can play in the great american sport of baseball.

Baseball is such a great sport because it is easy to understand and almost anybody can play it. Everyone from the kids to adults can play in a game of baseball all you need is the baseball kit some of these extra gloves and a open field. This baseball glove is also great if you want to play catch with a couple of people, you will be throwing that ball around in no time. If you are planing a large gathering such as a company picnic or family reunion this baseball glove is also great for teambuilding exercises and family bonding because baseball requires teamwork and everyone talking.The long, fascinating history of the actually begins many years before the chair was ever built, and many years before it was even thought of. Like all great products it was a mixture of inspiration, luck, good design, intelligent oversight, and a particular moment in history. The chair didn't spring from whole cloth, nor was it born fully formed in the minds of its creators, leaping out of their heads like Athena.

It was the product of long brainstorming sessions, testing, piloting, prototyping, and a generous love of design for design's sake. The Eames Lounge Chair and Ottoman came out of the Office of Charles and Ray Eames, a legendary design institution that would incubate thousands of brilliant ideas, brainstorming sessions, toys, exhibits, and playful, beautiful, enduring design. The Office of Charles and Ray Eames was a safe haven, a playground for design oriented personalities, where they could explore their interests and ideas with a free rein. From this Eden-like studio, the very first molded plywood chairs were built, and the first step in a long series was taken into making the Eames Lounge Chair what it is today. The molded plywood chair, nowadays most often referred to as simply the Eames Chair, was groundbreaking is several different ways, all of which are applicable to the Eames Lounge Chair. The molded plywood material that was used had never been seen before, and was the product of a brand new process of super-heating the wood and then bending it into impossibly perfect and smooth curves.

This had never been done before, and while the first molded plywood chairs were quite simple (and are today mostly seen in children's classrooms), they were nevertheless quite bold and unique. The undulating seat and the curved back both contributed to the paradox the Eameses strove for with nearly all of their furniture; the balance between modern processes and natural forms and inspiration. The molded plywood chair was one of the fathers of the Eames Lounge Chair, without a doubt, and the materials (molded plywood), prestige, and inspiration were very similar, though the final looks were not. Every great piece of art has a story, often one as interesting and instructive as the piece itself. The Eames Lounge Chair and Ottoman is no exception to this rule. Composed of molded plywood and leather, made to accommodate the spirit of the time, designed to stand the test of time, and built to be the most comfortable, durable, elegant and well-used chair possible. The Eames Lounge Chair is a pillar of modern design that stands up to the inquiries of any critic with flying colors, existing comfortably in every era of design that has passed since its initial construction.

How did this chair come to be what it is today? What was the inspiration? What was the purpose? And who was behind it? The design story of the Eames Lounge Chair and Ottoman begins in Hollywood, takes a detour through the great outdoors, borrows a little from the great American pastime, and ends in the living room, simply comfortable and simply lovely. It includes a director, two designers, and the unseen hand of nature, and it tells you everything you need to know about the Eameses, the Eames Lounge Chair and Ottoman, and about just how to build that perfect chair. Billy Wilder was one of the great directors of Hollywood's heyday, back in the 30s, 40s and 50s. An icon, a stylist, a writer, he was justly famous and had a lot of friends in the art, film, and entertainment world. Two of these friends were Charles and Ray Eames, two of the greatest designers to work in this century. They built buildings, designed toys, chairs, tables, tops; they made films and wrote articles, they built whole dreamworlds and played out elaborate thought experiments in the playground of the Office of Charles and Ray Eames, ground zero for much of the best design work ever to appear on the American scene.

One day, Charles and Ray were on the set of one of Wilder's films. Directing is a difficult and exhausting process, and they noticed that Wilder was rigging up makeshift lounge chairs for himself in between takes, so he could take short naps and retreat for a few moments from the unending bustle of the film set. The slap dash rigs he put together struck a chord with the Eames, and the setting (the noise and trauma of a modern world reflected in a harried film set) in combination with the object (a handmade retreat from said madhouse, built for comfort and relaxation) inspired them to begin thinking about a product of their own. A lounge chair that would embrace the ideals of comfort and simplicity (even elegance) and show in its construction and appearance the curves and forms of a the natural world, as means of escape from the modern one. After years of experimentation, cultivation, and inspiration, this idea would become the Eames Lounge Chair and Ottoman, one of the greatest pieces of furniture ever made, and certainly tops in its decade and century.

Of course, it wasn't as easy as simply drawing up and producing a chair that reminded them of the constructions Wilder was making on his sets. Each piece of furniture the legendary husband and wife duo made invariably bore their unique, thoughtful, playful stamp. The real work of designing the Eames Lounge Chair and Ottoman began in the Office of Ray and Charles Eames, the little studio that could, the intellectual playground of the best designers in the country. The Office was the cradle of nearly every great idea the Eameses would have in their long careers, and it was the incubator that spawned the careers of several excellent designers and artists. The list includes Harry Bertoia, Gregory Ain, Henry Beer, and Richard Foy, all of whom went on to do outstanding work on their own (Bertoia's wire furniture set a new standard in an ever-expanding field). Charles and Ray loved off-the-wall ideas, and encouraged their peers and office mates to come up with seemingly absurd possibilities and theorems, and believed that the playful struggle to deal with them led to great creativity and innovative solutions to problems.

The idea for the Eames Lounge Chair and Ottoman, the spark from which the design flowed, was seemingly simple but richly evocative and complex when translated to furniture; the idea was to make a lounge chair that resembled, in feel, emotion, and aesthetic, a well-used baseball mitt. One look at the Eames Lounge Chair and Ottoman and it's obvious Charles and Ray succeeded in their quixotic-at-first-glance mandate. The chair really does resemble that well-loved, broken-in, leather baseball mitt we're familiar with from youth. It is therefore evocative of several competing ideas and feelings, including American tradition, comfort, reliability, familiarity and familiar materials, the advancement of age and the recession of childhood, and the juxtaposition of the modern world with the oft-dreamed-of old one. A worn baseball mitt is as American as apple pie, and so is the Eames Lounge Chair and Ottoman. It's also impossibly elegant, and in some ways a well-constructed contradiction. It embraces the curvature and gentleness of slope suggested in nature, in addition to natural wood elements, but it somewhat incongruously incorporates definitively modern practices like molded plywood and a swivel base.

The beauty of the work done by Charles and Ray Eames, and the work done in the Office of Ray and Charles Eames, is the combination of the sublime and emotional with the shape and texture of the natural world. The spirit of playfulness that imbues every piece of furniture they built is in full evidence with the Eames Lounge Chair and Ottoman, and their inspiration (the need for one of their friends to escape for a few precious moments the harassing demands of the modern world) survives the translation to reality as well as their template (a well used baseball glove) did. The Eames Lounge Chair and Ottoman is a success from a design standpoint, but also from a human one; it is evidence that a design can be guided not just by practical concerns and science, but by a sincere desire to play, to experiment, and to attempt perfection in the seemingly imperfectable. The first lounge chair and ottoman, produced in 1956, made its public debut on Arlene Francis' Home show, which later became the Today show.